《偷摩托車(chē)的人》是一部驚悚電影，講述了一名騎手為了找回被偷走的摩托車(chē)而展開(kāi)的艱難旅程。摩托車(chē)對他來(lái)說(shuō)不僅僅是交通工具，更是他的生計和家庭的支柱。影片通過(guò)緊張刺激的劇情展現了一個(gè)人為了生存而不得不放棄原則的心理掙扎，引發(fā)觀(guān)眾對道德與生存的思考。該片入選了2020年?yáng)|京國際電影節，并給人以強烈的觸動(dòng)。

這篇影評可能有劇透

男主騎士Secareanu 是羅曼人， 和太太Elena (Anamaria Marinca)、帶著(zhù)兩個(gè)孩子住在倫敦. 騎士晚上送披薩賺錢(qián)養家，Elena白天在醫院干清潔工。一家人生活拮據，于是在男主吃飯工具摩托車(chē)被搶后，他的世界崩潰了。 正如他老板所說(shuō)‘沒(méi)車(chē)就沒(méi)工作，沒(méi)工作就沒(méi)錢(qián)，沒(méi)錢(qián)沒(méi)法活’，這意味著(zhù)他要不惜一切代價(jià)在上班前找回自己失去的東西。。。換句話(huà)說(shuō)，要么在接下去的24小時(shí)內盡其所能巡回車(chē)駕；要么另覓出路以養家糊口。

With its title, this British drama instantly recalls Vittorio De Sica’s 1948 neorealist classic The Bicycle Thieves. Yet writer/director Matt Chambers has astutely turned his debut feature into an involving story about surviving in an unforgiving world amid the complexities of the current immigrant experience.

The city is beautifully shot, eschewing the usual landmarks in favour of brutalist residential blocks and high streets peppered with Sports Directs and Claire’s Accessories. This might be the most London ever seen on screen – impressive considering the film clocks in at under 80 minutes. .

Grounded in gritty reality, the movie plays as a kitchen sink social drama, Chambers constantly throwing discussion points into proceedings as Secareanu’s character goes about his dilemma, The Rider pushed to the limit. If anything, the film seems a little too slow – it takes us seven minutes just to get to the title card – and for a film that is just 75 minutes long, it feels a lot longer.

電影The Bike Thief 是一部出色的作品，片子頗具風(fēng)格、畫(huà)面寫(xiě)實(shí)、色彩優(yōu)美、張馳有到。導演熟練地通過(guò)電影語(yǔ)言講述了普通人的故事，他們的背景、他們的選擇、以及選擇之后他們的掙扎。 這部片子作為新晉導演Chamber 的處女作，可圈可點(diǎn)、頗具可看性。